In our Winter 1948/49 issue, Michael Balcon, the legendary British producer and head of Ealing Studios, recalled the manifold challenges faced by the crew of the Robert Falcon Scott biopic.

Seasons include Tigritudes, a major exploration of Pan-African cinema; the conclusion of a focus on Italian neorealism; and Discomfort Movies – a season of films which are the antithesis of the ...

Sirk’s desolate melodrama, about a husband in a dull suburban marriage who falls for another woman, offers a happy ending in which everything is fine and no one is happy.

Neglected since its first screenings in 1971, the newly restored Bushman follows a Nigerian man’s experiences in counterculture-era San Francisco, but is interrupted by the arrest of its leading man.

Paola Cortellesi’s debut – already a breakout hit in Italy – puts the spotlight on women’s post-war subjugation with a satirical depiction of an abusive marriage that’s full of formal playfulness.

Axel Danielson and Maximilien Van Aertryck’s ambitious documentary spans the birth of camera obscura to the invention of TikTok using a cursory approach that allows for little insight.

Ahead of our neorealism season, we take a whistle-stop tour through the career of Italian master Roberto Rossellini – a man who reinvented cinema. And then kept on reinventing it.

A song from 1,000 years ago wreaks havoc, while family responsibility weighs heavily on a Mongolian maths whizz.

The kids’ adventure films of the Children’s Film Foundation were high on hijinks and low on boring stuff. From the 60 we’ve now released on DVD, here are 10 that might bring back memories.

Sgil Cymru, Creative Wales and Screen Alliance Wales (SAW) partner to launch the ‘One Stop Shop’, a BFI Skills Cluster for Wales supporting workforce development of the nation’s screen production ...

In our Autumn 1956 issue, the future director of If.... and O Lucky Man! was disappointed by John Ford’s now-classic western.

Daisy Ridley stars as an introverted Oregon officer worker who has elaborate visions of her own death in this slight, gentle story of a tentative search for human connection.